The synopsis for The Redeeming states; ‘A disturbed single mother confronts a mysterious stranger and the echoes of her past to protect her home.’
Vague, ominous and yearning for more. The movie centres around Joyce (Tracey Ann Wood) who lives alone in a secluded country house. From the outset we’re given a glimpse into the woman’s tentative psyche, which is only exacerbated with the introduction of John (Ryan Wichert) The young man has apparently injured his arm and seeks refuge in her home. Joyce obliges and not only lets the man in, but tends to his wounds as well. As the movie progresses it becomes apparent that not all is as it seems. The pair, despite apparently not knowing each other, seem to share a dark bond.
As far as psychological thrillers go, director Brian Barnes does a great job of building suspense and keeping us on our toes. Personally, I thought from the outset that it was going to be a straightforward, cliche-ridden plot, but as the movie progressed I realised how wrong I was. The movie keeps you guessing throughout, with both characters portraying a secretive, almost sinister side at times. Think Misery with a paranormal twist and you’ll be close to the plot.
The Redeeming was made with a considerably low budget, yet Barnes managed to overcome this through great casting and good cinematography. The only thing lacking for me was the intensity. There seemed to be a slight reluctance from both parties to be physically assertive when the time came. Whether this was down to the low budget and the subsequent “don’t damage my house” rule, or just an oversight in general, it was the only negative I could really find. However, with a convincing portrayal of diminishing mental health, a decent rapport between the pair, and a satisfying ending, the movie more than makes up for this.
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