apocalypse

All posts tagged apocalypse

Under Another Sun

Reviewed by Christian

D.M. Siciliano’s Under the Sun is a deceptive piece of work. Featuring a strange female protagonist, Ravynn, the novel veers in differing directions as the plot unfolds. From the first lines, Siciliano is playing on a number of different genres.

Synopsis

“A crack in time saves 99”

But what do those ominous words mean? Ray is about to find out, whether he’s ready or not. His ‘deceased’ twin sister, Ravynn, is warning him of impending disaster, but Ray can’t seem to convince himself, or his wife, that he’s not crazy. But Ray isn’t the only one communicating with his sister. Ravynn’s surviving daughter, Amelia, seems to know things that defy reason, in a time when reason is slowly slipping away. When Ray’s brother-in-law offers evidence of something terrible coming in the form of prophetic journals Ravynn wrote before her death, Ray can’t doubt the truth any longer. The world is falling down. The family struggles to hold themselves together as the world they once knew and understood begins to collapse all around them, leading up to a cataclysmic end. Can Ray save his family in time?

Focused on a family in danger

​It’s unclear how to even classify the book but probably apocalyptic fiction is the most appropriate. In broad strokes, a reader of Stephen King will be in familiar territory with allusions to The Shining, The Dark Tower, and Under the Dome(even the novel’s name echoes King). There are other King books that appear to be present but naming them might spoil the ending. Still, Siciliano is not directly lifting the plot or even themes, but the tell-tale signs of being familiar are all there.

​The question for King as for Siciliano, alas, does it matter? Apocalyptic fiction, whether political (Orwell, Ayn Rand, Alan Moore) or more personal and spiritual (George RR Martin, Pat Roberston), suffers from the dilemma of engrossing us in a large world with many characters or a few. Siciliano favors the latter approach and the story is firmly focused on a family in danger. Ironically, while Ravynn is a constant presence in the novel, Ray, her brother, is the real triumph. His emotions and bearing feel real and believable. To be sure, it is a bit annoying Ray takes as long as he does to put the mystery of Ravyn together. But, the befuddled protagonist is often what any horror fiction has to have at the beginning. 

Some new twists on an old formula​

Unfortunately, the rest of the cast of characters come off as too generic and borrowed archetypes. Nevertheless, the plot progresses at a good pace. The prose style is fairly solid. The cosmic creepiness when it begins to set in is well done. Siciliano is attentive to detail situating many events in California making her apocalypse credible.

​More experienced horror fans will probably guess much of the final sections. But a more beginning and intermediate reader will appreciate Siciliano attempting some new twists on an old formula. The book is not ground-breaking and the twist when it is revealed is fairly clever. But readers will probably divide whether Siciliano’s revelations come off as more too-clever than just clever enough.

Ravynn and her dilemma aren’t as gripping as Martin’s females who also walk the fine line between the spiritual and utterly horrific. Doing stories with a predetermined ending is a tough road anyone dabbling in Chosen Ones and so on will be saddled with and Siciliano (mostly) keeps us on a solid path to the finale. 

A highly recommended read

For a writer who is early in her career, this shows enormous promise and while not as scary as King’s best work does an effective job of keeping the reader engaged and asking questions. It does not have King’s touch of (admittedly, graphic) humor. Yet it also, thankfully, lacks King’s trademark needless gore. The horror when it is doled is pretty proportionate and what one would expect with the world coming to a close. 

If you enjoy the magic wizard – or more witch in this case – category then this book will be eminently satisfying. One or two plot elements will come off as far too convenient; still, on the whole, D.M. Siciliano has constructed a fairly effective construct. Her fiction is far above average but still, frankly, suffers from trying to wow us with secret exposed after secret exposed. A highly recommended read but one should be mild expecting anything truly novel; Under the Sun is a great synthesis of past horror but not the new step the apocalyptic genre needs to revitalize itself.

About the Author

DM is a lover of all things creative. From the moment she could speak, growing up in Massachusetts, she had a passion for flair and drama, putting on concerts for anyone who was even remotely interested (and even for those who were not). A storyteller by nature, she first pursued her young dream of becoming a singing diva while living in Arizona. She soon found that stage life wasn’t the only form of storytelling she craved, so she dropped the mic and picked up a pencil instead. She still hasn’t given up on her diva-ness, and hopes her pencil stays as sharp as her tongue.

A dark sense of humor and curiosity for haunted houses and things out of the ordinary led her down the path of completing her first novel, Inside. Several other projects are constantly floating around in her head and her laptop daily, and sometimes keeping her up much too late at night. Occasionally, those projects are so dark and twisted, she needs to leave a nightlight on.

She now lives in Northern California with her two fluffy furbabies, Cezare and Michaleto.

Want to know more about DM. Siciliano? Check out her website here

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The Tent

There seems to be a lot of apocalypse, end-of-worldy stuff being released at the minute (see our recent review of The One Survivor of Conifer). But The Tent takes this scenario to a completely different place. Now, let’s make one thing clear; it’s not a horror movie (not in the traditional sense anyway) and not what we’d normally review. But, seeing the terms ‘thriller’, ‘apocalypse’ and ‘creature-feature’ being bandied around, I blindly went for it.

Synopsis

An apocalyptic event known as The Crisis has devastated David’s (Tim Kaiser) world leaving him to rely on survival tactics learned from childhood. Isolated and alone, David has taken refuge in a tent on the edge of the wilderness. Soon enough, another survivor emerges, Mary (Lulu Dahl), who immediately begins questioning David’s tactics and ultimately putting them in the crosshairs of “Those Who Walk In Darkness”, unseen creatures that may or may not be responsible for The Crisis.

The Tent

In all honesty, during the first half of the film I was tempted to switch it off. There didn’t seem to be a whole lot going on. The majority of the story revolved around David and Mary conversing in the tent. There was also the added threat of creatures outside whose POV was portrayed through black and white footage (similar to that seen in Dog Soldiers’ depiction of werewolves). Throw in a few random flashbacks of David’s life at the beginning of The Crisis, and some cleverly included homemade footage of him when he was younger, and I was shrouded in a cloud of obscurity.

But then…

However, the storyline did start to come together. Those flashbacks began to make sense and all the pieces began to fall into place, right up until the hard-hitting conclusion. It turned out that director Kyle Couch has done a stand up job in delivering the message he wanted to portray. It could have possibly worked better as a short movie. But, saying that, it may not have been as impactive. The acting, although initially average at the beginning, improved tenfold by the halfway point. Kaiser and Dahl both did a tremendous job in delivering the emotionally-charged ending.

The Tent

Now, I’m not gonna lie, this film left me an emotional wreck! As it progressed, you could see the direction it was heading, but that didn’t stop the huge punch in the gut that it delivered at the end. As the last ten minutes began to unfold I wanted nothing more than to cling onto the cloud of obscurity! what it was unveiling was more horrifying than any creature-feature could be.

Check out the trailer below and let us know what you think. The movie is currently available on demand, and coming soon to DVD.

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The One Survivor of Conifer

The One Survivor Of Conifer is a post-apocalyptic thriller by Writer/Director Curt Dennis. What was initially intended as a crowd-funded short movie, Dennis and Producer Max Mir opted to make it a feature film after their campaign proved unsuccessful. Filmed in just 5 days and with only 11 crew members (including cast) the movie is a prime example of budget filmmaking.

Synopsis

Survival is tough when you think you’re the last person on Earth. From getting food, to water, to avoiding the Creatures lurking in the forest. But when Austin Biggs finds a child over his radio, he becomes more than just a vocal companion. Because if Austin can’t reach the child first – the Creatures will.

From the outset, the movie gives off some strong Castaway vibes. The main difference is instead of a tropical island, it’s London. Instead of Wilson the volleyball, it’s a teddy. Instead of Tom Hanks, it’s Johnny Maya. Yet, despite being the only actor on screen throughout the movie, Maya’s likeable, charismatic approach keeps us intrigued throughout. Yes, the whole premise is very ambiguous, but we can surmise that there has been some sort of disaster which has killed off the human race and for some reason Austin Biggs is still alive and monsters are lurking.

Admittedly, there are a few issues which can’t go unmentioned. From a storyline perspective, Austin Biggs is certainly no Bear Grylls when it comes to survival. There’s no fire, no sanitisation of water and despite having access to a sheltered building, Biggs opts to sleep outside at the mercy of the elements (and the monsters but we’ll come to that later). There’s also the issue of poor audio at times. Yet, the movie does have a number of great qualities.

Maya’s terrific depiction of loneliness, isolation and wavering mental health is a testament to his versatility as an actor. This, coupled with the vocal contributions of Jonah Paull, is a great incentive to watch the movie to the end. Whilst the storyline has borrowed heavily from the likes of Castaway (talking to an inanimate object) and Bird Box (blindfold requirement to stay alive) the movie does have its own unique elements. The only material proof that there are monsters lurking is the purple goo, but Biggs’ conversations and drawings tease this out further. Director Dennis certainly works within his means. Rather than opting for poor, low budget effects, he utilises these aforementioned traits to convince us of the monster’s presence.

Summary

Overall, The One Survivor Of Conifer is worth a watch. However, if you’re expecting action or jump scares you’ll be severely disappointed. If you enjoy character-driven storylines that require you to use your imagination then definitely check it out!

Check out the movie’s IMDB page here

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